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Records available

Super Audio CD La donna è mobile. Verdi. Luc Robert

DVD In the Mystical Land of Kaydara. Peeter Vähi

CD Great Maestros V. Kalle Randalu, Neeme Järvi, Estonian National Symphony Orchestra

Double CD Great Maestros VI. Kalle Randalu, Neeme Järvi, Estonian National Symphony Orchestra 

Double CD Verdi Wagner 200. Estonian National Opera Chorus and Orchestra

DVD Coppélia. A ballet by Léo Delibes

CD Works for Violin and Piano. Vol 1 Eduard Tubin

DVD Keyboard Juggleress. Irina Zahharenkova

CD Legend. Arsis

Magic of Sound (Ralf Taal)

Super Audio CD Maria Magdalena. Sevara Nazarkhan, Riga Dom Cathedral Boys Choir, State Choir Latvija, Latvian National Symphony Orchestra

DVD Joy and Sorrow Unmasked. European Union Baroque Orchestra, Lars Ulrik Mortensen

CD Locus amoenus. René Eespere

CD The Best of Arsis Bells. Arsis, Estonian National Symphony Orchestra, Estonian National Male Choir, Aivar Mäe

DVD Faust. Ain Anger, Estonian National Opera

DVD Modigliani − the Cursed Artist. Estonian National Ballet, Risto Joost

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 SHONA shamanistic ritual (Zimbabwe)

Sat, May 
30th at 10 pm
Kadriorg Park, Orient tent
(next to President’s Palace)
Tallinn

 

Conference        Concerts in Tallinn        Peking Opera        Workshops

Bazaar         Orient Flavours         Other

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ShonaSinger300Swerengoma Dance Group

Shona is the name collectively given to two groups of Bantu people in the east and southeast of Zimbabwe, and southern Mozambique. They are the largest ethno linguistic group in Zimbabwe.
The Mbende / Jerusarema Dance is a popular dance style practiced by the Zezuru Shona people living in the Murewa and Uzumba-Maramba-Pfungwe districts in eastern Zimbabwe.
The dance is characterized by sensual and acrobatic movements by women in unison with men, driven by a single polyrhythmic drummer accompanied by men playing woodblock clappers and by women handclapping, yodelling and blowing whistles. Unlike other drum-based East African dance styles, the Mbende / Jerusarema does not rely on intricate foot stamping or many drummers. Instead, the music is performed by one master drummer, and no songs or lyrics are involved. A rich material culture, including drums, clappers, whistles and costumes, is associated with the dance.
In the course of the dance, men often crouch while jerking both arms and vigorously kicking the ground with the right leg in imitation of a burrowing mole. The dance’s curious name reveals much about its vicissitudes over the centuries. Before colonial rule, this ancient fertility dance was called Mbende, the Shona word for “mole”, which was regarded as a symbol of fertility, sexuality and family.
Under the influence of strict Christian missionaries who strongly disapproved on this sexually explicit dance, the dance’s name was changed to Jerusarema, deriving from the Shona adaptation of the name of the biblical city of Jerusalem, in an effort to transform the original connotation into a religious one. Both names are commonly used today. In spite of its condemnation by the missionaries, the dance remained popular and became a source of pride and identity in the struggle against colonial rule.

 



Press resonance

http://bakwamagazine.com/2015/06/11/africa-at-orient-music-festival-2015/

Orient2015LiveShona

Orient2015LiveShona325Photos by Andres Reinart and Peeter Vähi

See also: Festival Orient, Orient 2013, Orient 2011, Orient presents in 2010, Orient 2009, Orient presents in 2008, Orient 2007, Orient presents in 2006, Orient 2005, Festival archives Orient in Palmyra (Voices from the Stars Above the Desert), The Path to the Heart of Asia (CD recorded with featuring musicians of Orient 1992)

Additional info: Wikipedia in English and Estonian

Should you wish to subscribe for news and updates on festival programs about twice annually, please click here.

Special thanks: EAS, Alar Metsson, Taipei Mission in the Republic of Latvia, HE Gary K. Y. Ko, Gustavo Chu, Eesti Kontsert, Madis Kolk, Urmas Paet, Valdo Helmelaid, Hedi Palipea, Meliisa Marianne Palipea, Peter Phiri

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